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Originally Posted by skywalker munich is awesome, spielberg still has game
one of the most powerful closing shots ever |
Sorry Sky but I thought it was one of the worst closing shots ever
It's a movie that after seeing it at first I felt that the average critical eye would award the movie *** out of **** but the more I thought about the "mistakes" that were made in it the more I disliked it.
First, the whole interpretation of the events of Munich itself were poorly done. The cinematography was weak at best and I'm not sure why we're constantly shown the events through the mindset of a character who was not there. The worst example of this being when Bana's character was making love to his wife towards the end and was having flashbacks of Munich spliced in between their lovemaking. Overlapping scenes like this work in some movies (for example
Boogie Nights) but here it just came off as melodramatic and contrived. The scene was far from powerful because it tried to be too powerful.
Brokeback had a much better "disturbing" love making scene in it with Heath Ledgar and Michelle Williams after he got back from
Brokeback...yet I digress...
There were other mistakes that are just unacceptable like a man getting shot and falling on his stomach but then is found to be on his back; things like this just come off as sloppy. Then you have Spielberg trying to sum the entire Israeli and Palestinian conflict by having a calm, rational conversation between the opposing sides on a stairwell while Marvin Gaye's "Let's Stay Together" plays in the background. Scenes like this trivialize important political issues and it makes the entire situation between the two groups seem silly and elementary to fix; it hardly offers a sum-up of the two viewpoints because in reality there are so many more viewpoints than just those two.
More problems arise when you realize the film is littered with quick one-liners for comic relief purposes. Sorry, but in a "serious" film about an on-going territorial struggle you don't put in cheap jokes to make the teenage kids giggle or the seventy-year old woman awake. Then there's a subplot about a female assassin that succeeds in nothing other than wasting more of our time in a movie that already doesn't have enough content its screenplay to hold our attention as is.
Finally, the last shot tried to tie the events of Munich to 9/11 which is far from an apt comparison. I won't "spoil" the last shot but I felt as if I was being maipulated into "feeling" something from a film that cared little for the average suburban white American viewer. Trying to tie 9/11 themes into a movie simply in order for it to be accepted is cheap; it's as if the film is trying to say, "You have to feel sorry for the characters and like this movie because these issues affect you to!" Sorry, Spielberg, they don't.